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Reviews
Posing in Vast Spaces
PICK
OF THE WEEK
SYDNEY MORNING HERALD
Kerryn
Goldsworthy
The Sydney Morning Herald,
16 August June 2008
This remarkable book is accurately described on the cover as a
combination of travelling salon and road novel. The narrator, a poet,
takes off on a road trip with his artist friend Matthew in a car called
My Darling Chevrolet. They travel deep into the wilds of country
Victoria, where they travel around painting, drinking, chatting up the
local ladies, smoking dope and - most of all - talking.
You would have to call this book a celebration and the two main things
it’s celebrating are the country-Victorian landscape and the
great joys and pleasures of conversation with someone you've known very
well for a long time and whose mind travels along the same track as
your own.
Peter is a poet and can therefore get drunk on words as easily as on
beer and the many other beverages he samples as he and Matthew trundle
around the landscape from town to town and pub to pub; their
conversations, like the narrator’s own description of the
trip,
are full of puns, quotations, double entendres and other wordplay.
There are also endless allusions to culture both popular and high, a
potential disadvantage since readers unfamiliar with them will miss all
the best jokes.
In this, as in its setting and its indiscriminate and unremitting
mockeries, the book is strongly reminiscent of Jack Hibberd’s
classic one-man play
A
Stretch Of The Imagination.
The story of the road trip is told in smallish fragments, the smallest
of which features the title ‘Nhil’ (the unfortunate
name of
a Victorian town) at the head of a blank space, a silly yet
irresistible joke.
It’s impossible to describe the quality of Murk’s
style or
to pick out an example; it needs to be read properly and with care.
There’s a kind of tumbling ebullience and complete lack of
restraint about its playfulness that some readers might find excessive
but that others will embrace.
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Posing in Vast Spaces
PICK
OF THE WEEK
Cameron Woodhead
The Age, 21
June 2008
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Launch
Speech
Posing in Vast Spaces
was launched by Julian Burnside, President of Liberty Victoria and
author of
Wordwatching:
Fieldnotes of an Amateur Philologist, on 13 September 2008
at Claypots Seafood Restaurant in St Kilda.
Andrew
Freeman Bock
13 September 2008
Travel in Australia is a rite of passage on every long weekend. The
travel story as a form in literature is a great device for believable
journeys into alternate worlds. It also lends itself as a form to
anecdotes, colloquial conversation and improvised drama.
The form includes the writings of Jack Kerouac, the mad fancies of
Tristram Shandy, the hilarious discursions of Flann O’Brien
and
that dense and intense urban travelogue,
Ulysses.
Posing in Vast Spaces
is 150 vignettes and 243 pages from a three day road trip through St
Kilda, Prahran, north western Victoria and back again.
In great Australian tradition, Murk’s travelogue is full of
dirty
and absurd realism and wicked but arid irony. His north western
Victoria is a suitably dry country watered only by intermittent streams
of consciousness and wit.
At a simple level,
Posing
belongs to a literary tradition in Australia that sits around a camp
fire with Tom Collins (
Such
is Life)
and Henry Lawson. But this is a new Australian travel story and takes
the form of the Australian travelogue a few steps beyond those ironic
bush sketchers.
The convivial and impressively self-deprecating narrator of this book
is just as comfortable with classical literary allusions, poetic
descriptions and popular culture references as he is with colloquial,
country Australia. He is also a master of the elliptical vignette.
This would not suprise those who know the author. Peter Murk, a
gardener and writer, is as comfortable with non-sequiturs as he is with
a pair of secateurs.
But with
Posing in Vast
Spaces
he has created an incredibly entertaining yarn out of that age old
Australian tension between low culture, or bush Australia, and high
culture and literary allusion.
It is his ability to navigate both, from the seat of an old Chevrolet,
of all cars, that is a really great achievement. He has actually
discovered, on this three day odyssey, a delightful new solution to the
age old tension in Australia between the cultures of the city or Europe
and the cultures of the bush.
Murk’s central character is not travelling through the
Wimmera
and the Mallee so much as he is straddling the tension between high
literature and bush yarns. The tension between the cultured and the
stoic, the poetic and the prosaic. The absurdity and the importance of
posing in vast, open spaces.
This is quite liberating.
This shambling and eloquent wanderer may just have found a new solution
to a cultural conflict that has plagued Australian history.
Even through conversations at a bar or outside a bakery or leaning on a
bonnet looking at a salt lake, like all great literature this book
imparts a new way of describing and with it, a new way of seeing.
It also breathes life and passion into a neglected Australian tradition
for rye and incredulous observation. It combines the pleasures of a
good yarn, a great travelogue and a poetic journey into the vernacular
soul of Australia. And it’s hilarious.
I don’t think anyone can read this book without discovering a
deeper love for Australia.
Peter Murk book signing
at Claypots
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Murk
biography