Born
in 1937 in
Detroit,
Michigan. After serving with the US Navy for three years he completed a
BA with Honours in English Literature and Philosophy at Ohio
University. Hammial migrated to
Australia from the US in 1972 and became an Australian citizen in 1992.
As well as a poet, he is a painter and
sculptor, with over twenty-five solo exhibitions and over fifty group
exhibitions to the early 2000s. In 1995 with
artist Anthonty Mannix he founded The Australian Collection of Outsider
Art. The Collection has curated twenty-four exhibitions, in Australia,
Europe and the US. A recipient of a Category A Writer’s
Fellowship in
1996, he went on a reading tour of Japan in that year. As a political
activist, he does volunteer work for the Blue Mountains Free Tibet
Group and for CORE, a local environmental group. In May 2000 he
participated in Poetry Africa 2000, the first Australian poet to be
invited to that international festival. Philip Hammial is the author of
Foot Falls &
Notes (The
Saturday Centre, 1976),
Chemical
Cart
(Island, 1977),
Mastication
Poems
(The Saturday Centre, 1977),
Hear
Me
Eating (Makar, 1977),
More
Bath, Less Water (Red, 1978),
Swarm
(Island, 1985),
Squeeze
(Island, 1985),
Vehicles
(Island, 1985),
Pell
Mell
(Black Lightning, 1988),
Outsider
Art in Australia (co-editor) (Aspect, 1989),
Travel/Writing
(with Ania Walwicz)
(Angus & Robertson, 1989),
With
One Skin Less (Hale & Iremonger, 1994),
Just Desserts
(Island, 1995),
Black
Market (Penguin, 1996),
Bread
(2000) (short-listed for the
New South Wales Premier’s Literary Awards, Kenneth Slessor
Prize for
Poetry, 2001) and
In
the Year of Our
Lord Slaughter’s
Children (2004) (shortlisted for the New South Wales
Premier’s
Literary Awards, Kenneth Slessor Prize for Poetry, 2004).